The aroma of popcorn wafted through the air as I settled into my seat at the Melbourne International Animation Festival. The dimming lights signaled the beginning of the showcase, and the screen burst alive with vibrant colors that felt almost palpable. A stunning 2D short played first, drawing gasps from the audience as the characters danced across the screen with emotional poignance. Moments later, a dazzling 3D feature erupted into view—the hyper-realism was breathtaking, yet oddly sterile. It struck me: when faced with such a divide in storytelling techniques, how does one choose between 2D and 3D animation?